Nai-Ni Chen Dance Company 2022 In-Person CrossCurrent Choreographic Festival

Nai-Ni Chen Dance Company announces the Eighth CrossCurrent Choreographic Festival, in collaboration with Flushing Town Hall, on Sunday, April 10, 2022 at 2pm. Tickets are $15 and are available at https://flushingtownhall.org/2022-crosscurrent.

The CrossCurrent Asian American Choreographer Festival is the only festival focused exclusively on emergent Asian American dance choreographers. This year, panelists Andy Chiang, Miki Orihara and Peiju Chien-Pott have selected four emergent Asian American choreographers to showcase their work at Flushing Town Hall as well as three choreographers whose performances were not shown in 2020 due to the pandemic. They are: Yuki Ishiguro, Chaery Moon, Chien-Ying Wang, Linda Kuo, Seyong Kim, Linda Kuo, Mamiko Nakatsugawa, and Rathi Varma. The festival is an opportunity for Nai-Ni Chen Dance Company to introduce the choreographers and their wonderful work to New York audiences.

The featured choreographers (in no particular order):

A native of Seoul, Korea, choreographer and dancer Chaery Moon is immersed in both classical ballet and contemporary dance, and mines her choreographic inspirations from painting, sculpture, light, music, and nature. After earning a BFA from The Juilliard School, she danced professionally with Ballet de l’Opéra de Lyon in France. She returned to academia, and holds an MFA in Dance and Technology from NYU’s Tisch Dance. Armed with a diverse array of experiences in the arts, she forges her choreographic path by bringing together physical movement and the complexities of what it is to be human. Her dances are further enhanced by the interactive art, technology, and film she creates, as well as by multimedia collaborations with composers, costume designers, and visual artists. Her work has been presented at Dumbo Dance Festival, Your Move: New Jersey’s Modern Dance Festival, St.Mark’s Church, and The Baryshnikov Arts Center. website: chaerymoon.com

Algorithm – What if machines have souls? Are they capable of making their own decisions and having emotional feelings?

*Algorithm is made with the New York Foundation of the Arts’ City Artists Corps’ Grant and a residency at Downtown Brooklyn.

Yuki Ishiguro, Japanese native, artistic director of dance company “”Yu.S.Artistry””. Yuki trained ballet to Break dance in Japan, then moved to NY in 2009 to study contemporary dance. From his experiences he created his own dance style and signature movements, which has been praised by several dance reviews.

Yuki has worked and toured with Roxey ballet, Catapult entertainment, Emery LeCrone dance, etc. Also he has created and presented his own pieces. From 2018 Yuki started his own company Yu.S.Artistry fiscally sponsored by New York Live Arts.

His work has been presented at Booking dance festival at Jazz at Lincoln Center, DUMBO dance festival, MAD festival at Nazareth college, Come together dance festival at Suzanne Roberts Theater, International dance festival by Nickerson Rossi dance at performance garage in Philadelphia, etc.

They’ve done their own evening length show Shifting Tides at Actors Fund Arts center in 2019.

The Inner Light premiered in 2019.

Chien-Ying Wang, Co-Artistic Director of OcampoWang Dance, received her MFA from The Ohio State University. Wang danced professionally with Utah’s Repertory Dance Theater and was a Bogliasco Fellowship finalist. Currently, Wang is teaching at Rutgers University. She performed solo roles in several classical ballets, plus contemporary works by Zvi Gotheiner, Gideon Obarzanek, Susan Hadley, Stephen Koester, Molissa Fenley, Douglas Nielsen, Shapiro & Smith, and many others. Wang’s choreographic works have been presented in Ballet Philippines, Lustig Dance Theater, RDT, OSU, Boston Conservatory, National Taiwan University of the Arts, Beijing Normal University (China), Ailey Citigroup Theatre, Judson Memorial Church, 92nd Street Y, and Cultural Center of the Philippines, amongst others.

Paul C. Ocampo, Co-Artistic Director of OcampoWang Dance, received his MFA from OSU. He choreographed and performed with Ballet Philippines and Singapore Dance Theater (17 years). He worked with Susan Hadley, Victoria Uris, Bebe Miller, Douglas Nielsen, Zvi Gotheiner, Graham Lustig, Jean Paul Commelin, Leigh Warren, Norman Walker, Alice Reyes, Gener Caringal, Agnes Locsin, Edna Vida, Anthony Then, and Goh Soo Khim . His works have been presented in Japan, Singapore, Indonesia, Malaysia, the Philippines and USA Paul was awarded the Utah Arts Council Individual Artist Project Grant, Fulbright Fellowship and was an Associate Professor at Southern Utah University before joining Rutgers University.

LOSS looks within the human spirit. We are bombarded with news, frequently unwelcome news. Our spirits deflate. We risk paralysis amid fears that we cannot do anything to change our world. Having a positive attitude/approach and allowing time to heal can be helpful. Empowering the human psyche and nurturing perpetual hope are the primary goals of this piece.

Seyong Kim is originally from Seoul, South Korea and is currently an Assistant Professor of Dance at Western Michigan University (Kalamazoo, MI). He holds an MA in Dance Education from New York University and an MA in Dance from Sung-Kyun-Kwan University in South Korea. He is a CMA (Certified Movement Analyst) from Laban/Bartenieff Institute of Movement Studies, a RSME (Registered Somatic Movement Educator) at ISMETA (International Somatic Movement Education and Therapy Association), and a PBT (Progressing Ballet Technique) Certified Teacher. Seyong is an ABT Certified Teacher, who has successfully completed the ABT Teacher Training Intensive in Primary through Level 7 of the American Ballet Theatre’s National Training Curriculum. Additionally, he earned a Diversity and Inclusion Certificate from Cornell University. Seyong has taught for Rutgers University, Kent State University, The University of Georgia, Randolph College, Peridance, Steps on Broadway, Texas A&M International University, Libera University in Italy, World Dance Alliance (WDAA), Americas, American College Dance Association (ACDA) ), Blue Lake Fine Arts Camp, National High School Dance Festival, Alabama Dance Festival, Nai-Ni Chen Dance Company, and Charlottesville Ballet.

As a professional dancer, Seyong has danced with Metropolitan Opera Ballet at Lincoln Center, Albania Opera Ballet Theatre, Staten Island Ballet, Baltimore Ballet, Traverse City Dance Project, Neglia Ballet, TAKE Dance, and Oakland Ballet Company. In addition, his choreographic works have been internationally invited at Landestheater Coburg Germany, Dance in ITALY Festival, Dzul International Dance Festival in Mexico, Taiwan JueDai Taipei International Dance Festival, ProArteDanza in Canada, Seoul International Dance Festival in TANK, Battery Dance Festival, Lindenwood University, Cleveland Dance Festival, Midwest Regional Alternative Dance Festival, Chicago International Dance Forum, Detroit Dance City Festival, Boston Contemporary Dance Festival, Orlando Contemporary Dance Choreography Festival, Oklahoma International Dance Festival, KYL/D Inhale on Camera, Jazz in Lincoln Center, and Nimbus OFFLINE+ at the BAM Fisher.

The Moon reflected in the East Sea is a solo contemporary dance performed by a female dancer in commemoration of So-nyeo-sang (Statue of Peace) in Korea. The Statue of Peace was erected to call for apology and remembrance. This is a symbol of the victims of sexual slavery, known as comfort woman by the Japanese military until the end of Pacific war that took place in World War II. East Sea is a political region between Korea and Japan of East Asia. Utilizing these themes regarding the diplomatic issue, this piece is not intended to reexamine international conflict in East Asia but to move forward with new insight of a peaceful co-existence in globalization. The Moon reflected in East Sea was premiered at Western Michigan University (Kalamazoo, MI) in 2021, and this performance is dedicated to the late Nai-Ni Chen.

Born in Taiwan and raised in Hawai’i, Linda Kuo’s Hawai’i upbringing is influential in her artistry and creative approach. Dancing the Hula helped cement her belief in dance as the backbone of cultural identity and resilience. Her choreography addresses social and cultural issues while fusing contemporary, street and cultural dances with a strong emphasis on authentic & diverse storytelling. As a choreographer, Linda’s work has been presented on stages in NYC, Hawai’i and abroad, including: Shanghai World Expo 2010, US Embassy in China, The Contemporary Museum of Honolulu, Honolulu Academy of Art, NYC 10 / NYC Dance Week, Triskelion Arts SummerFest, Oahu Fringe Festival, Honolulu Biennial 2019, International Human Rights Festival, and Jazz at Lincoln Center.

She was an artist in residence at Lower Manhattan Cultural Council, an awardee of Halawai NYC grant, and a panel speaker of Dance/NYC symposium in 2021.She is an alumni of Dance Education Lab and Summer Leadership Institute by Urban Bush Women. Linda is the co-artistic director of Dancers Unlimited, a bi-coastal nonprofit based in NYC and Honolulu. In August 2022, Linda will be a workshop facilitator at the Asia Pacific Dance Festival presented by the University of Hawaiʻi at Manoa.

Prayer is an excerpt of our work-in-progress, Edible Tales, a multimedia dance installation that explores cultural heritage, social justice and sustainability. Prayer honors our individual connections with our ancestors, and explores the common practices of ancestral worship and celebration in many cultures. We would like to dedicate this performance particularly to Nai-Ni Chen.

Mamiko Nakatsugawa is a dancer, choreographer, collaborator, and yoga teacher from Miyagi, Japan. She is currently working for Jon Lehrer Dance Company as a company member since 2019. She had opportunities to work with various artists such as Paul Taylor, Jim Cooney, Merete Muenter, Matthew Westerby, Katherine Maxwell, Peter Chen, Omri Drumlevich, and so on . Not only dance theater, but she also appeared in musical theater nationally and internationally; Anne of Green Gables (Japan National Tour Ensemble), Cabaret (Kit Kat Girls), South Pacific (Liat). As an artist and model, she has worked with companies and designers such as Google, Sunday SoHo, and Moonstruck Design.

Shedding is choreographed by Mamiko Nakatsugawa in 2022, exploring the idea of ​​shedding the skin to grow out from the old mold that you were fitted in. As humans, we don’t shed our skin to grow like snakes do. But, what if I shed my memory and leave the detailed skin as I was and as I felt? What if I shed for good, even if it hurts?”

Rathi Varma was born and raised in Mumbai, India. She started dancing at the age of 15 alongside pursuing her Diploma in Visual Arts and working as an Illustrator. In 2018, she moved to New York to pursue her career in Dance professionally at Peridance Center. Since 2019, she’s had the opportunity to perform with various companies and choreographers namely Apollonia and Dancers, Dance Into Light by Dina Denis, 9/11 Table of Silence Project and Anabella Lenzu. Currently. Rathi is a part time Teaching Artist with DMF Youth Inc, a non profit organization serving underserved youth through dance, fitness and life skill development.

Table for Two In your quest for love, you embark on a journey of empty conversations, meaningless swipes and obligatory small talks. Lured by a plethora of dating apps and matrimonial sites, dating can be a challenge in an overwhelming city like NYC. Table for two talks about my desire for love and companionship met with heartbreaks, disappointments and sometimes the cold New Yorker response. I’m constantly questioning the authenticity of human connection masked behind a virtual persona of someone’s best profile picture and intelligent statements. In a city where friendliness and loneliness are two sides of the same coin, finding a connection can be conflicted by our fast paced lifestyles, relationships expectations and lack of commitment.

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